2 playwrights chatting

reposted from my personal blog... marcel

Last night, after catching up with a friend on her return from New Zealand I ran into fellow playwright, Ross Howard who fielded 2 shows at the recent Rogue Festival. This one & this one... both excellent plays in my book ( I saw them both in my quest to seek out original works during the festival). I was actually on my way home but just couldn't pass up the opportunity to commiserate with someone who I think is a bright emerging talent in this waning field.

Ross is English and came to this country to pursue an MFA in playwriting. Curious... considering that he hails from the land of the Bard.

I cannot really explain what fun and how much of a luxury this was for me. It is rare in these parts to come upon a fellow comrade in the trenches to share ideas with... especially one who is open to sharing without the (natural) paranoia of their ideas being stolen. (This is a malady that often plagues many in our craft... lol.)

We chatted about all sorts of things. A light dissection of each other's shows (he had also come to see mine and I his)... working techniques (discovering to our delight that our process is similar)... discussions of playwrights works we (both) admired... our mentors (and we share a couple) ...and future plans and projects we are considering. It was also a joy to be able to chat with someone who shares a common "blue collar" attitude to the work.

We both agreed that theatre is first and foremost a "gig"... and some of it transcends to evolve into art... that the over analysis emphasized in academia has taken the gig out of it which in turn perpetuates the perception that it is inaccessible to regular folk. (Then, they wonder why they can't get an audience.) Instead of mutual support and encouragement... too often in this world of theatre (sadly, more true than not) folks get caught up in a competitive back-stabbing, holier-than-thou snob attitude that really does no one any good and only contributes to the further erosion of the craft... simply because they buy into the idea that everything they create is art.

It was so refreshing (and encouraging) to be able to converse with someone in a "common language". The language of the theatre is common enough among practitioners of the craft but there does exist various "dialects" within this small (and ever shrinking) world. Chatting with actors about a show is quite different than speaking with designers, etc. To be able to converse with a fellow playwright for me presented the unique opportunity to speak in "short-cuts" brought about by a common understanding through the labor of our work that does not require explanation... like two carpenters discussing the best techniques for dovetails without explaining what a dovetail is.

We even half jokingly chatted about spearheading an "indie garage theatre" movement... not unlike the indie garage band or indie film movements that have done so much to refresh those forms over the recent years. Perhaps that is what is needed... to bring a sense of rock n roll back to theatre. Strip away the "jizz" and and allow the works to really sing through performance without the distractions of unnecessary "production value".

I stayed out longer than I thought I would last night... but returned home happy, rejuvenated and much encouraged by the conversations that transpired between Ross and I. It was nice... akin to running into a fellow countryman from the same village in a foreign land.